Why
We Need a New Civil War Documentary
The success and brilliance of the new PBS series on Reconstruction is a reminder of the missed opportunity facing the nation
SMITHSONIAN.COM
APRIL 23, 2019
APRIL 23, 2019
Read more: https://www.smithsonianmag.com/history/why-we-need-new-civil-war-documentary-180971996/#4YzVZ3pGROfbg4OW.99
Airing
over a span of five nights during late September in 1990,
Ken Burns’ “The Civil War” remains, to this day, the only
documentary that claims to explain the entirety of the war that
engulfed the United States in the mid-19th century. “The Civil
War”’s premiere became the most-watched PBS program at the time,
with the nine-episode series carrying a total running time of 11
hours, and to this day it remains one of the most popular shows ever
to air on public broadcasting. Garnering scores of awards, “The
Civil War” has now influenced generations of Americans and shaped
their beliefs about slavery, the war itself, and its aftermath. The
documentary had an outsized effect on how many Americans think about
the war, but it’s one that unfortunately lead to a fundamental
misunderstanding about slavery and its legacies—a failing that both
undergirds and fuels the flames of racism today.
…
You
can read her full article on the Smithsonian web site. Below is my
comment on her article:
I
recall the original Civil War series. Various historians were
interviewed, and there were differences of opinion. My main objection
was the failure to use music of the war, so many moving songs.
Instead, they used a modern tune played on a violin. I suspect, they
did not want to play many of the rousing songs of the Confederacy
(too politically incorrect, even decades ago). Stephen Foster, the
most popular of song-writers of that era, wrote the campaign song in
the 1860 election, not for Lincoln, not for Northern Democrat
Douglas, but for Southern Democrat Breckenridge. Let us hear it.
No series will please everyone. She complains the old series did not have university professors. When you considet the POLITICAL qualifications to teach at most universities, it is probably best they they were not so involved in the production of the series.
Dr. Merritt even brings into the conversation the accent of Shelby Foote to discredit him. I am old enough to recall when this was done by racists to discredit Blacks. Now the "good" doctor does it to discredit whites. - Hugh Murray
No series will please everyone. She complains the old series did not have university professors. When you considet the POLITICAL qualifications to teach at most universities, it is probably best they they were not so involved in the production of the series.
Dr. Merritt even brings into the conversation the accent of Shelby Foote to discredit him. I am old enough to recall when this was done by racists to discredit Blacks. Now the "good" doctor does it to discredit whites. - Hugh Murray
Philadelphia Flyers Remove Statue of Singer Kate Smith Amid Allegations of Racism
The team will also no longer play Smith’s famed rendition of ‘God Bless America’
By Brigit
Katz
SMITHSONIAN.COM
APRIL 24, 2019
APRIL 24, 2019
Read more: https://www.smithsonianmag.com/smart-news/philadelphia-flyers-remove-statue-singer-kate-smith-amid-allegations-racism-180972026/#XqhBJeGTEU1dU2Ds.99
Since
the late 1960s, a rendition of “God Bless America” by Kate Smith,
one of the most prolific and popular American singers of the 20th
century, has been a good luck charm for the Philadelphia Flyers. “The
team began to win on nights the song was played,” the New
York Times wrote
in Smith’s 1986 obituary. Smith sang the tune live during game six
of the 1974 Stanley Cup finals, which the Flyers went on to win
against the Boston Bruins, taking home the coveted trophy. But as
Anastasia Tsioulcas reports for NPR,
the Flyers recently announced that they will no longer play Smith’s
recording of “God Bless America” at games. A statue of the singer
that stood outside the team’s arena has been removed.
The
sudden change of heart was prompted by revelations that Smith had
recorded at least two songs with racist lyrics in the 1930s. Last
week, the New York Yankees, which had been regularly playing Smith’s
recording during the seventh-inning stretch since 9/11, decided
to switch
to a keyboard version of “God Bless America” after
the songs were brought to their attention. “The Yankees have been
made aware of a recording that had been previously unknown to us and
decided to immediately and carefully review this new information,”
a spokesperson told Stefan Bondy of the New
York Daily News.
“And while no final conclusions have been made, we are erring on
the side of sensitivity.”
Quickly
following suit, the Flyers said in a statement on
Sunday that while the team has “enjoyed a long and popular
relationship with ‘God Bless America,’ as performed by the late
Kate Smith,” it had recently learned that several of her songs
“include lyrics and sentiments that are incompatible with the
values of our organization, and evoke painful and unacceptable
themes.” The statue of Smith that had been erected outside the
Flyers’ Spectrum arena in 1987—and, when that venue was
demolished, had been moved
to the parking lot of Xfinity Live!—was
cloaked in black and subsequently taken
down.
One
of the songs to come under scrutiny is “That’s Why Darkies Were
Born,” which was written for a 1931 Broadway revue. The song was
also performed by Paul
Robeson,
the famed African-American actor and bass baritone, and some have
argued that it is a satire of racist attitudes. But for modern
listeners, it is difficult to hear a white woman sing lyrics
like, “Someone had to pick the cotton/Someone had to plant the
corn/Someone had to slave and be able to sing/That's why darkies were
born.”
Critics
have also pointed to “Pickaninny Heaven,” which Smith
performed for the 1933 film Hello,
Everybody!,
according to CNN’s
Harmeet Kaur. Smith addresses the song to “a lot of little colored
children, who are listening in at an orphanage in New York City,”
and croons about a heaven filled with “great big
watermelons.”...For the full article see:
Read more: https://www.smithsonianmag.com/smart-news/philadelphia-flyers-remove-statue-singer-kate-smith-amid-allegations-racism-180972026/#XqhBJeGTEU1dU2Ds.99
My comment at the
Smithsonian site:
Some
people hate America and its past. Kate Smith sang a song today's Left
condemns as racist, so she is a racist and destroy her statue, her
records, her past. The Left is criminal!
One
of the "racist songs sung by Kate Smith was also sung by Paul
Robeson, the radical who spoke at Snick gatherings in the early 1940s
(Southern Negro Youth Congress), and a leader of the 1948 Progressive
Party that attacked segregation in the South, and in the late 1930s
Robeson co-chaired a Scottsboro Defence Committee in Britain with
Johnstone Kenyatta (later, known as Jomo when he led the Mau Mau to
end British rule in Kenya). At the time Smith and Robeson sang about
the Darkies, one of the most popular radio programs was Amos n Andy.
The Left would destroy all of American culture from that era because
it is deemed as "racist" by many today. The Left would burn
most old books in the libraries, destroy all recordings of radio and
TV shows. The Left in America today is like the destructive
Communists during Mao's Cultural Revolution.
Restore the statue of Kate Smith and Gen. Robert E. Lee, celebrate America's heritage, and denounce the "hate-America" Left wing that dominates the academedia complex.. - Hugh Murray
Restore the statue of Kate Smith and Gen. Robert E. Lee, celebrate America's heritage, and denounce the "hate-America" Left wing that dominates the academedia complex.. - Hugh Murray
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